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Sanaka Samarasinha Highlights the Devastating Impact of Climate Change on Agriculture

Sanaka Samarasinha Highlights the Devastating Impact of Climate Change on Agriculture

Michigan, US, 24th August 2024, ZEX PR WIRE, Climate change is becoming a real threat on the global agriculture industry. According to Sanaka Samarasinha, a veteran international development specialist, climate change has led to increased food insecurity, land degradation, water shortage, lower crop yields, higher poverty rates, and unsustainable migration.

Continuing on this idea, Sanaka Samarasinha notes that extreme weather conditions such as droughts, floods, and changes to rainfall patterns are affecting food production and distribution systems. This is affecting communities’ access to adequate, safe, and healthy foods.

The stated effects, Sanaka Samarasinha says, are worse felt in third-world countries where farming is more of a subsistence activity. For this reason, he says, climate change is putting more people at risk of hunger and malnutrition, which is undermining the achievement of the Sustainable Development Goals.

Land Dilapidation and Water Shortages

As part of the adverse impact of climate change, land degradation and water scarcity are among the major problems encountered. Currently, soil erosion, loss of fertility, and desertification have reduced agricultural lands, Sanaka Samarasinha explains. He notes these are some of the changes that are challenging farmers, preventing them from sustainably producing food and making agriculture a sustainable source of income.

Changes in rainfall patterns and higher evaporation rates, Sanaka Samarasinha adds, are also making it hard for farmers to find enough water for their activities. He notes that many regions are suffering from severe drought spells that have reduced water availability for irrigation and drinking. While it has a major impact on crop and livestock farming, Sanaka Samarasinha emphasizes, it also poses a great danger to the people’s health and the existence of communities.

Reduced Output and Higher Poverty Levels.

Sanaka Samarasinha adds that farmers are experiencing a decline in crop and livestock yields and quality. That’s because of heat stress, modified growing cycles, and rising pests and diseases. This, he says, is lowering income sources for farming communities and leading many into abject poverty.

He further explains that the most affected are the vulnerable groups, which progressively include smallholder farmers. These communities, Sanaka Samarasinha, says, remain trapped in the cycle of poverty and food insecurity in the absence of proper support and related adaptation undertakings.

Unsustainable Immigration

Lastly, Sanaka Samarasinha says, climate change’s negative impact on agriculture has increased unsustainable migration. Globally, people are moving in search of food and better income opportunities, Sanaka Samarasinha explains. This migration, he notes, puts a lot of strain on the host communities, most of which are not prepared for the influx of people.

The reaction is that there are unsustainable demands on resources, infrastructure, and social services. Sanaka Samarasinha says this results in tensions and conflict that compound climate vulnerability in exposed regions.

A Call to Action

Sanaka Samarasinha emphasizes immediate and collective action to handle the complex changes in climate on agriculture. As such, he calls for greater spending on climate shock-proof agriculture, improving the water regime, and backing sustainable land uses. The social protection systems, he says, should also be reinforced. He adds that technical support should be given to the affected vulnerable e adds.

Sanaka Samarasinha also emphasizes the need for international cooperation on sound agricultural policies to address these issues. Intertwining international and local cooperation, Sanaka Samarasinha notes, is crucial in exchanging information, equipment, and experience. In his view, it is high time agricultural systems were adapted and made less sensitive to climate change’s impact, especially in the developing world.

Sanaka Samarasinha’s experience, based on the leadership of the Pacific and Belarus, proves his desire to promote sustainable development and climate change. His advocacy emphasizes the importance of faster action to protect global food security and secure income sources for millions of people.

About Sanaka Samarasinha

Sanaka Samarasinha has more than 25 years of experience in sustainable development. His professional background includes work with the United Nations, where he has implemented campaigns in 11 countries. This proves his proficiency in strategic communication and public relations, mediation, advocacy for the SDGs, governance and human rights, crisis communication, climate change, and media relations.

Published On: August 25, 2024

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‘Art shows our joy:’ Sask. artists share Syrian-Canadian pride

‘Art shows our joy:’ Sask. artists share Syrian-Canadian pride

Rapper Ali Kharsa says artists are sharing their culture with other Syrians in Saskatoon while reintroducing themselves to Canada at large.

Published Aug 25, 2024Last updated 20 hours ago4 minute read

Ali Kharsa is organizing Syrian arts events to highlight his pride in his culture and community.
Ali Kharsa is organizing Syrian arts events to highlight his pride in his culture and community. Photo taken in Saskatoon, Sask. on Friday, August 23, 2024. Photo by Michelle Berg/Saskatoon StarPhoenix
Ali Kharsa was 13 years old when he started writing his own rap music — inspired by “old-school rappers” like Tupac and Eminem, the teenager put down lyrics and beats about fleeing the war in Syria and becoming a refugee with his family, performing for other refugees in the Australian detention centre where he and his dad were being held.

Eventually, Kharsa’s mother was able to sponsor him to join her in Canada. As the family established themselves in Saskatoon, Kharsa’s hard-earned love of music and storytelling inspired him to join the local performing arts scene, where he had been a fixture on stage and behind the scenes ever since.

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Now, after nearly a decade in Saskatchewan, Kharsa is bringing together a group of local Syrian-Canadian artists to showcase their culture and shine a spotlight on a vibrant community.

“Art represents us, as Syrians,” Kharsa said. “Art always tells you and shows you the good side of a community — for us, as a Syrian community, art shows our joy. Our music and art brings happiness and joy to other people, too.

“And maybe this will motivate other Syrian artists in Saskatchewan to be more active and create more art.”

Kharsa has already connected with a wealth of Syrian artists in Saskatoon, including painters, poets and traditional musicians. In the future, Kharsa is also hoping to work with Syrian dancers, if he can find somebody who knows the dances well enough to teach them.

One artist, Ahmed Tuqani, had been a fine art teacher in Syria before he came to Saskatoon about eight years ago.

Today, his canvasses blend Syrian styles with a Canadian vantage point.

“Most of the subject of my painting now is the Saskatchewan landscape,” he said. “I use Syrian techniques to make my paintings, and I try to mix together my culture and my new life in Saskatchewan.”

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For Tuqani, working with Kharsa is a chance to find more artists drawing from a similar inspiration.

“It is very important for me to find more people who are working in film or in painting or fine art,” he said. “I want to connect, and this is an opportunity.”

According to Statistics Canada, when the Syrian civil war began in 2011, only 450 people in Saskatchewan identified their ethnic origin as Syrian. By the end of 2016, over 1,200 Syrian refugees had come to Saskatchewan.

“We are not a big community — we are a minority — but still, we are here,” Kharsa said. “There are some Syrians that have been here for more than 10 years. Some Syrians were born here.

“Sharing our art and our music is something to do for our community. We have to do this so the youngsters and the older teenagers can see their background and know their culture and be proud as a Syrian.”

For Ramia Al Salloum, poetry has always been her way to lift up her love and pride for Syria, to revel in the beauty and history of the Arabic language and share it in translation.

“When I read my poems, I would like people to forget about the war and forget about what happened, and focus more on the landscape and the beauty of the land,” she said.

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“I want people to know about our dances and our culture and our civilization and the buildings that we have that are so many thousands of years old. I want people to know that Syrian people are very hospitable and generous, and Syria has one of the oldest civilizations in the world.

“I am trying to change the mindset and stereotypes and the way people think about Syria as a country. I would love for my words and rhymes and rhythms to remind people that Syria is not all about the war. It is much more.”

Along with inspiring young Syrians in Canada to be proud of their heritage and all the places they now call home, Kharsa also sees art as an opportunity to ‘reintroduce’ Syrians to the rest of the province and the country.

“When we tell these stories, I think it inspires people to learn about us as a Syrian community living beside our Canadian neighbours here,” Kharsa said. “Syrians have been in Saskatoon for a long time now, and people in Saskatoon are really friendly with us. But sometimes, people have one picture in their head, and it is hard for me to change it.”

Sometimes, Kharsa says, people still assume that Syrians like him “just arrived today” or are “refugees who don’t know anything and we’re only here to take money from welfare,” when by-and-large the small community is now thriving and deeply-rooted in Canada.

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“I have been here for nine years — I really feel Canadian, too,” said Kharsa. “I’m working, I’m paying taxes, I’m living in this country and having the same life as any other Canadian.

“Syrians are striving, trying hard to be successful with our lives and build homes and learn about our neighbours and make friends. We are nice people. And because a lot of us are talented, and we love art and music, I want people to have this picture of us — when people see us as things we’re not, I want to change that view.”

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Participants of cross-Strait journalism camp visit CNAPC in Beijing

Participants of cross-Strait journalism camp visit CNAPC in Beijing

Participants of a cross-Strait journalism camp visit the China National Archives of Publications and Culture (CNAPC) in Beijing, capital of China, Aug. 24, 2024. A cross-Strait journalism camp for university students opened on Tuesday, with approximately 200 students from both the mainland and Taiwan in attendance.

The students are from 10 universities on the mainland and eight universities in Taiwan. (Xinhua/Li Xin)

A participant of a cross-Strait journalism camp takes photos at the China National Archives of Publications and Culture (CNAPC) in Beijing, capital of China, Aug. 24, 2024. A cross-Strait journalism camp for university students opened on Tuesday, with approximately 200 students from both the mainland and Taiwan in attendance.

The students are from 10 universities on the mainland and eight universities in Taiwan. (Xinhua/Li Xin)

Participants of a cross-Strait journalism camp visit the China National Archives of Publications and Culture (CNAPC) in Beijing, capital of China, Aug. 24, 2024. A cross-Strait journalism camp for university students opened on Tuesday, with approximately 200 students from both the mainland and Taiwan in attendance.

The students are from 10 universities on the mainland and eight universities in Taiwan. (Xinhua/Li Xin)

Participants of a cross-Strait journalism camp visit the China National Archives of Publications and Culture (CNAPC) in Beijing, capital of China, Aug. 24, 2024. A cross-Strait journalism camp for university students opened on Tuesday, with approximately 200 students from both the mainland and Taiwan in attendance.

The students are from 10 universities on the mainland and eight universities in Taiwan. (Xinhua/Li Xin)

Participants of a cross-Strait journalism camp visit the China National Archives of Publications and Culture (CNAPC) in Beijing, capital of China, Aug. 24, 2024. A cross-Strait journalism camp for university students opened on Tuesday, with approximately 200 students from both the mainland and Taiwan in attendance.

The students are from 10 universities on the mainland and eight universities in Taiwan. (Xinhua/Li Xin)

Participants of a cross-Strait journalism camp visit the China National Archives of Publications and Culture (CNAPC) in Beijing, capital of China, Aug. 24, 2024. A cross-Strait journalism camp for university students opened on Tuesday, with approximately 200 students from both the mainland and Taiwan in attendance.

The students are from 10 universities on the mainland and eight universities in Taiwan. (Xinhua/Li Xin)

Participants of a cross-Strait journalism camp visit the China National Archives of Publications and Culture (CNAPC) in Beijing, capital of China, Aug. 24, 2024. A cross-Strait journalism camp for university students opened on Tuesday, with approximately 200 students from both the mainland and Taiwan in attendance.

The students are from 10 universities on the mainland and eight universities in Taiwan. (Xinhua/Li Xin)

Participants of a cross-Strait journalism camp visit the China National Archives of Publications and Culture (CNAPC) in Beijing, capital of China, Aug. 24, 2024. A cross-Strait journalism camp for university students opened on Tuesday, with approximately 200 students from both the mainland and Taiwan in attendance.

The students are from 10 universities on the mainland and eight universities in Taiwan. (Xinhua/Li Xin)

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